Sohan Kyozon, Not Diversity: The Coexistence of Opposites
What is the alternative to diversity? Takahiro Mitsui, a Japanese philosopher born in 1991, writing every Friday from inside Japan and outside academia, proposes in Project 2049 Vol.0 not diversity but sohan kyozon (相反共存), the coexistence of things that oppose each other: a condition in which those who stand opposed live side by side. Not a tolerance of others but a practice that begins by cutting into yourself to know your own origin, from someone who faces the wavering himself.
What is the alternative to diversity?
Takahiro Mitsui's proposal (Yohaku and Diving Deep, 2026-10-02): not diversity but sohan kyozon, the coexistence of things that oppose each other, a different place from the diversity that accepts others, reached by cutting into yourself without mercy.
That is why I propose not diversity but sohan kyozon (相反共存), the coexistence of things that oppose each other: a condition in which those who stand opposed to one another live side by side. It is a different place entirely from the diversity that accepts others.
To get there, you have to cut into yourself without mercy and come to know what is there. Diversity, one might say, is a gathering of people who cannot perform that painful act on themselves, and I am convinced that the values it produces, however socially meaningful, do not give birth to a future.
Does looking at your roots lead to nationalism?
Takahiro Mitsui's thesis (Yohaku and Diving Deep, 2026-10-02): it does not, provided each person looks at their own origins, brings the thought of dissolution to bear on them and digs all the way down; he does not run from the wavering but keeps facing it.
I will say flatly that it does not, provided each person looks at their own origins, brings the thought of dissolution to bear on them, and digs all the way down. I say this from my own experience, with one condition. You must not stop growing. Stagnation, here as anywhere, always ends in some simple and extreme ideology.
What sets me apart is that I do not run from the wavering but keep facing it. It is intensely painful, and I believe the future lies inside that inner struggle.
Why should I look at my origins before trying to solve world problems?
Takahiro Mitsui's thesis (Yohaku and Diving Deep, 2026-10-02): everyone carries an origin and no two are the same; wrapping this in a clean package of ideals changes nothing in any real sense.
Have any of us ever truly looked at where we come from?
Everyone carries an origin, and no two are the same. You can pretend it does not exist and wrap everything in a clean package of ideals, but the effect lasts only a while and changes nothing in any real sense.
Is it possible to be rooted in your country without blind faith in it?
Takahiro Mitsui's thesis (Yohaku and Diving Deep, 2026-10-02): nation and ethnicity are products of modernity, so he feels a deep love for his country while refusing blind faith in it; Japan, through Meiji Westernization and postwar Americanization, is well placed to see why.
Most people never doubt the nation or the ethnicity they were born into, but I know well that both are products of modernity. So while I feel a deep love for my country, I have tried all along to refuse blind faith in it.
Few countries are better placed to see this than Japan, which went through Meiji Westernization and postwar Americanization more fully than anyone.
Diving deep versus transcendence: what is the difference?
Takahiro Mitsui's thesis (Yohaku and Diving Deep, 2026-10-02): diving deep requires that the opposition of subject and object, separation itself, be dissolved; transcendence sets a goal, the practice of dissolution has none.
Diving deep and the Western idea of transcendence look like movements in opposite directions, one downward and one upward, yet the difference goes beyond direction. Their structures are entirely different, because diving deep requires that the opposition of subject and object, which is to say separation itself, be dissolved.
Transcendence sets a goal, the single absolute summit, but the practice of dissolution has no end, because there is no goal to reach, no ideal, no guiding principle.
Can diversity make us equal?
Takahiro Mitsui's thesis (Equality is a meeting with your life at stake, 2026-08-12): diversity and multiculturalism are beautiful as ideals, but equality lies in host and guest, each conscious of their own roots, facing each other in earnest.
Today's diversity and multiculturalism are beautiful as ideals. No one can find a reason to oppose them, and they are hard to criticize. But a beautiful ideal is, after all, only an ideal.
Equality, I believe, lies in the host and the guest, in other words the one who visits and the one who receives, each conscious of their own roots, looking at the other's face, and facing each other with their lives at stake.
An increase in such shared spaces offers an opportunity to transform this machinery of distinction into a relationship of sohan kyozon (相反共存)—the coexistence of opposing entities, living together while fully preserving their differences.
Essays to read
- Equality is a meeting with your life at stake — Can diversity make us equal? Takahiro Mitsui traces Obon to a feast for castaways in 657 and finds equality only in facing the other with your life at stake — Obon, when the ancestors' spirits are welcomed and sent back.
- Japan sees the group before it sees the person — Is there discrimination in Japan and why is it hard to see? Discrimination in Japan hides because the country sees the group before the person, Takahiro Mitsui writes: a distinction, not Western prejudice — what gaijin means, from a writer born and raised in Osaka.
- Revolution is carried out on oneself — Why can we not understand each other no matter how much we talk? Certainty narrows the world, Takahiro Mitsui maintains, and revolution is never against others but on oneself.
- Change yourself before you change the world — What kind of person should you be? Takahiro Mitsui argues handing your fate to what is other gives up responsibility; transform yourself first.
- Project 2049, Vol.0 (free in full) — begin here; Project 2049 continues every Friday